Collections
Seven bodies of work made in the same room, over the same four years. They do not agree with each other. Start anywhere.
Abstracts
Colour with nothing to hide behind.
The centre of the practice. Paintings built without a subject, where the only structure is the one that emerges from layering — trowelled grounds, dragged colour, scraped-back histories. These are the works with the heaviest surfaces in the studio.
10 works
Neo-Pop
Characters who have been waiting in the margins.
Figures pulled out of four years of sketchbooks and given canvas. Flat saturated fields, hard black outline, and dense hand-drawn pattern. They are funny until you stand in front of them.
6 works
Geometric
Order, and the exact moment it fails.
Grids laid down with tape and then systematically disobeyed. Every painting in this group holds an argument between a ruled line and a hand that will not keep to it.
6 works
Floral Chaos
Gardens with no horizon and no centre.
Bloom forms crowded until the ground disappears. Petal edges are drawn with an oil stick held flat, never painted. The eye is given nowhere to rest, which is the point.
7 works
Urban
The block opposite the studio, from memory.
Fragmented structure, scaffolding, misaligned windows and the specific grey of a Limassol building site. Marble dust and sand in the medium so the surface behaves like a wall.
6 works
Latest Works
Wet within the last four months.
Everything most recently off the wall, including the ongoing untitled sequence — paintings made without a plan and finished in a single stretch of working.
12 works
Limited Editions
Museum-quality prints, counted and closed.
Pigment prints produced from 100-megapixel captures and colour-matched against the original canvases under gallery lighting. Each edition is signed, numbered, blind-stamped and never reprinted.
5 works